Here is a chart of the chord changes:
http://brunojazz.com/images/maiden3.jpg
Fareed Haque teaches Maiden Voyage as modal progression rather than a chord progression. Thus for the chords in the above chart, the corresponding modes would be:
A-/D = D Mixolydian
C-/F = F Mixolydian
Bb/Eb = Eb Mixolydian
C#- = C# Dorian
For smoother transitions from one mode to the next, I thought it would be useful to work out which notes do not change - these notes could be targeted to anticipate the change in modes.
D Mixolydian to F Mixolydian = D, G, A, C
F Mixolydian to Eb Mixolydian = D, D#/Eb, G, A#/Bb, C
Eb Mixolydian to C# Dorian = D#/Eb, G, G#/Ab, A#/Bb
C# Dorian to D Mixolydian = E, F#, B
Cleaning up the enharmonic equivalents, which I used above during my analysis, this should be an easier to read repeat of the above note sets:
D Mixolydian to F Mixolydian = D, G, A, C
F Mixolydian to Eb Mixolydian = Eb, F, G, Bb, C
Eb Mixolydian to C# Dorian = Eb, Ab, Bb
C# Dorian to D Mixolydian = E, F#, B
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